Caterina Iaquinta lives and works in Milan. She is a professor in NABA and Università La Cattolica, PhD candidate in Philosophy, Art and Theatre at the Cattolica University of Milan, with a research project aimed to investigate the theoretical, critical and historical prospects of performative practices, in particular relation with social action and experimental theater, with a focus on the Italian scene in the seventies. In these past years she has addressed the relationship between artistic production, feminism and the social context in the seventies. She is currently collaborating with the Department of Visual Arts at NABA – Nuova Accademia di Belle Arti di Milano. As a curator, she developed exhibition projects including Dissertare/Disertare (2006) and La Forza dei Legami Deboli (2008), developed with the involvement of a network of curators and Italian no profit realities. She has coordinated different exhibitions: Disobedience Archive (The Republic) (Castello di Rivoli – Torino), Learning Machines. Art, Education and Alternative Production of KnoWledge (NABA, Milano).  Iaquinta is part of the scientific committee of archphoto 2.0 magazine and part of the editorial board of the digital magazine archphoto.it, for section “Contemporary”.